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  <a href="/blog/blog/3784820/key-four-of-ignore-everybody-and-39-other-keys-to-creativity-by-hugh-macleod">Key Four of &quot;Ignore Everybody and 39 Other Keys to Creativity&quot; by Hugh Macleod</a>&nbsp;
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  <div class="message">Key Four:  "Good ideas have lonely childhoods.  This is the price you pay, every time.  There is no way of avoiding it."  ~ Hugh Macleod ~<br><br>One childhood summer at Y Camp, we repeatedly sang an old traditional spiritual around the camp fire, "Jesus Walked That Lonesome Valley."  As the embers glowed, I often got chills as we got to "You got to walk that lonesome valley - You got to walk it for yourself cause nobody else can walk it for you, you got to walk it by yourself." Here's Mississippi John Hurt's version of <a href="https://www.youtube.com/watch?v=i7ud9u5RpVY">"You Got Walk That Lonesome Valley."</a><br><br>Basically the message continues to be - get down to it.  Do the work, don't parade it around before it's time. Protect your muse personally and professionally.  This also reminds me of <a href="http://www.jonimitchell.com/">Joni Mitchell</a>'s lyric in <a href="https://www.youtube.com/watch?v=5g2GIM4c4Fg">"A Case of You"</a>:  "I am a lonely painter, I live in a box of paints",  that her seemingly glamorous life is at the expense of many lonely hours.<br><br>Musicians in particular need to be careful with whom they share their business ideas.  We want to be rescued from the responsibilities that are included in the job-description of "artist."  We are sometimes lulled into the delusion that the details are being taken care of, and therefore fail to pay attention to important day to day details.<br>  <br>It's what you've learned in the dark, one day you may share in the light  - if you've truly done the work required.<br><br>Your thoughts on being a lonely artist?<br><br>Pam Mark Hall</div>
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  <a href="/blog/blog/3784821/key-three-of-ignore-everybody-and-39-others-keys-to-creativity-by-hugh-macleod">Key Three of &quot;Ignore Everybody and 39 Others Keys to Creativity by Hugh MacLeod</a>&nbsp;
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  <div class="message">Key Three – Put the hours in.<br><blockquote>“Doing anything worthwhile takes forever. Ninety percent of what separates successful people and failed people is time, effort, and stamina.”  ~ Hugh MacLeod<br>
</blockquote><br>Oh, Hugh, we already know that.  It’s so simple.  If I want to  succeed, I’ve just got to do “it”!   So, then why is it so hard to maintain that day-to-day-to-day discipline?  Is that why you chose doodling on the back of business cards sitting at the bar?   Hey, come to think of it – isn’t that an image that comes to mind of writers – artists in Bohemia?  Sitting in front of their favorite brew in the café or bistro?<br><br>Ok, back to the main point.  Hugh states that he is not concerned about anyone ripping off his idea of his doodling on business cards format, unless they can draw more of them, and better than him.   That what gives his work the edge is that he’s spent years drawing them – thousands of them – representing tens of thousands of man-hours.<br><br>I love his confidence about his work – that it is based on a commitment to the creative work itself over the long haul, not hype around a one-hit-wonder – well lit and airbrushed.    Just as you don’t know an artist by one painting, but rather from viewing an exhibit representing her entire body of work, it is also true that you don’t know a songwriter/artist/band based on hearing one song.<br><br>A body of work is accumulated over time.   And time means money.   I mean, you've got to eat.  So who’s going to pay the bills while you take the time to create this body of work?  Um…“you are.”   Hugh says, “Don’t quit your day job!”  Create the discipline of dedicating that one or two hours before and/or after the day gig to do your creative work. He says, that way, you won’t be in a frenzy trying to make your “art” generate revenue, because it takes the pressure off the creative process, having to chose between "artistic" or "commercial."  He says his method has allowed him to pace himself over the long haul.  Stamina is critical to making it happen. <br><br>I’ve done it every which way - music-only full-time, work part-time; music part-time, work full-time; music – what music?   I agree that the distribution of energy is critical to success.  Once I took on a full-time job to support myself while doing music on the side, I found the more successful I became in the day job, the more success I wanted.   As driven as I am to be productive and add value, I find it a challenge to hold back my best till the end of the day for myself and music.   At that point I just want to flop on the sofa with the remote.   It is difficult to be honest<br><br>I am now back to being fully focused on music, and I must admit that I am still wrestling with the balance.   Because all the elements of making a livelihood via music require wearing many hats.  Doing all of it, i.e. creating, recording, packaging, promoting, securing performances, tech, and many other details can be overwhelming.   It remains a challenge to keep the actual act of creating and rehearsing in balance with the rest of the functions that accompany being a professional musical artist.<br><br>I agree with Hugh, that success depends on a high degree of doing “it” over an extended period of time. I am many years and miles down the road and, happily, I have somehow been able to produce a body of work that still satisfies and inspires me to keep on creating.  Now, back to the concern I still have as a professional musician - how do I balance it all?  How do I generate revenue while maintaining artistic and personal health - mentally, emotionally, spiritually, and physically; and nurturing my personal relationships?   Musicians and artists of all disciplines have special vocational challenges.   It's my hope to discover some ideas to leverage in this book.<br><br>I'd love to know your thoughts!</div>
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  <a href="/blog/blog/3784822/key-two-of-ignore-everybody-and-39-other-keys-to-creativity">Key Two of &quot;Ignore Everybody and 39 Other Keys to Creativity&quot;</a>&nbsp;
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  <div class="message">Key Two of "Ignore Everybody and 39 Other Keys to Creativity" <br>by Hugh MacLeod of <a href="http://www.gapingvoid.com/">gapingvoid.com</a><br><br>I'm reading and searching this book for outside-the-box creativity and marketing ideas for professional musicians.   Hugh has had unlikely success with his art and business of doodling on the back of business cards after hours from his day job as a copywriter.  Please join me in evaluating the 40 keys to creativity he suggests.<br><br><b>Key Two - "The idea doesn't have to be big.  It just has to be yours</b>." ~ Hugh MacLeod<br><br><span lang="ES-TRAD"><p></p></span>      <br><div class="MsoNormal">
<span lang="ES-TRAD"> At first blush, Hugh, this resonates as truth with me.   However, when I begin to drill down and think about myself as a musician, writer and performer,  I feel a little squirmy - I mean- is there really anything I've ever<p></p> done, written or sung that's completely original?  Is there perhaps a continuum of originality?<p></p></span><br>
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<span lang="ES-TRAD">After-all, history is the memory – the intelligence, if you will,  of what has been seen, heard, felt, done, experienced, tasted, smelled, sung, etc. across the spectrum of time.  History encapsulates the remembrances of what came before it was reported.  That memory is the fabric displaying the continuum of interwoven threads of discovery now informing our own current creative thoughts and expressions.                   <p></p></span><br>
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<span lang="ES-TRAD">Isn't all art, dance, song, cuisine, religion, philosophy, architecture, mechanics, agriculture, technology, manufacturing, sociology, psychology, medicine, law, well - isn't everything is predicated upon and intertwined with what came before it?   As Helen Keller stated “No one truly owns<p></p> anything or anyone.” To quote a proverb from King Solomon of the Old Testament of the Bible - "There is nothing new under the sun." Everything evolves from state to state.<p></p></span><br>
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<span lang="ES-TRAD">Therefore, the practice of MacLeod’s mantra that “it has to be yours”  has the potential of leading a musician to a state of creative and professional paralysis.  If I only allow myself to invest in my work when I am convinced my melody or lyric is completely unique, not influenced by any other artist or music, then they'd probably have to bury me without having finished a single tune.   <p></p></span><br>
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<span lang="ES-TRAD">But then MacLeod states:<p></p></span><br>
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<span lang="ES-TRAD">“The sovereignty you have over your work will inspire far more people than the actual content ever will.”<p></p></span><br>
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<span lang="ES-TRAD"></span><br>
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<span lang="ES-TRAD">Ah - ha! So, maybe he wants us to think of sovereignty or ownership as the governing of self in the creative process,  rather than the governing of  “it” i.e.  the creation.  It is when I am totally invested in the process that I have the freedom to apply my passionate and creative energy to the idea, work, song, or dance.  As I am consumed by it and give my self freely to "it" - "it" becomes something new or “mine.”   That is the freedom that <p>Hugh talks about.  It is when I get into that zone, things begin to happen.   Other people click with "it" and my little song begins to snowball, because it is then that I just might inspire others to do their own creative work.<br></p></span><br>
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<span lang="ES-TRAD">How?  How do we get ourselves into that zone?  Any ideas?  I'd love to hear them.</span><br><span lang="ES-TRAD">Please leave a comment! <br></span><br>
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<span lang="ES-TRAD"><br><p></p></span><br>
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<span lang="ES-TRAD">Thanks,</span><br>
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<span lang="ES-TRAD">Pamelita</span><br><span lang="ES-TRAD">aka Pam Mark Hall</span><br><a href="http://www.facebook.com/pammarkhallmusic"><span lang="ES-TRAD">www.facebook.com/pammarkhallmusic</span></a><br><a href="https://www.reverbnation.com/pammarkhall"><span lang="ES-TRAD">www.reverbnation.com/pammarkhall</span></a><br>
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  <a href="/blog/blog/3784823/key-one-of-ignore-everybody-and-39-other-keys-to-creativity">Key One of &quot;Ignore Everybody and 39 Other Keys to Creativity&quot;</a>&nbsp;
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  <div class="message">I bought "<a href="http://sivers.org/book/IgnoreEverybody">Ignore Everybody</a>"  by <a href="http://www.gapingvoid.com/">Hugh MacLeod</a> the very day it was recommended by <a href="http://sivers.org/ie">Derek Sivers</a> on his blog.  <br><br>I love it so far.  Don't bother to read it if you are offended by an occasional swear word.      Author <a href="http://www.gapingvoid.com/">Hugh MacLeod</a>  let's it all hang out.  He's got some hilarious stories about his journey of becoming a successful cartoonist by scrawling funny remarks and sketches on the back of business cards - sitting at a bar after-hours from his job as a copywriter for an advertising agency.   Though Hugh is a cartoonist, he provides some pithy tips to those of us making our living through our music.   I'm going to share a series of blogs as I work my way through the book looking for those tips and applications for musicians.<br>    <br>Key One: "Ignore Everybody"<br><br>Hugh's basic premise is that you really don't know if your idea is any good the moment it's created.  Nobody else does either, so keep it hush-hush til you've let it rattle around inside you a while, and you've tweaked and developed it some.  He also says "the more original your idea is,  the less good advice other people will be able to give you." because "Great ideas alter the power balance in relationships.  That's why great ideas are initially resisted."<br><br>This insight gives a deeper understanding of what Julia Cameron preaches in "<a href="http://www.theartistsway.com/">The Artist's Way</a>" about drawing a circle around your self and work, and keeping your energy inside that circle, focused entirely on the work.   Protecting it from well-meaning friends, family or business associates.  One raised eyebrow, one lukewarm remark can potentially derail fresh but vulnerable confidence.<br><br>Hugh's observation about altering the balance of power in relationships is very helpful in understanding why things get awkward with others when you share your new ideas or songs.   It helps us understand what motivates resistance from others.<br><br>Sometimes, I do feel the urge to share a brand new song as soon as I've stirred all main ingredients together.  But I'm usually aware of how uncomfortable sharing prematurely made me feel in the past.    If I don't let the song simmer and stew for a while,  it's probably not going to be as satisfying as I initially imagined.  I'm more likely to abandon it before it even had a chance to develop it's full flavor and aroma from a number of taste, season, and simmer cycles.<br><br>Ignore everybody?  How do we do that with the artist-direct-to-fan music business model now firmly established?  There is an increased demand for quick and total access to the artist and product.   It is going to require the artist's confidence and discipline to maintain a level of privacy around him/her self and the work.   We are having to learn to be more business minded and deliberate about how and when we share what.   The artist will know when it is the right time to share.    Otherwise, musicians may sacrifice quality for quantity.<br><br>Your thoughts? <br><br>To be continued on Key Two</div>
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  <a href="/blog/blog/3784824/perfectly-imperfect">Perfectly Imperfect</a>&nbsp;
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  <div class="message"><b><i>I am perfectly imperfect - always wanting to be more than I am, but embracing the me I am and blessing what I have to share in this present moment.</i>  </b>~ PMH<b><br></b><br><br>I want to be more than I am - always reaching, learning, changing and growing. But wanting to be more doesn't mean that I'm less than who I need to be in this moment.  I allow myself to embrace the me of the here and now even though I know I am capable of reaching for more.  Yet another paradox of grace!<br><br>May 2010 be a year we imperfectly share more of our perfectly imperfect selves with each other.</div>
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  <a href="/blog/blog/3784825/santa-fe-plaza-serendipity-ronald-chee">Santa Fe Plaza Serendipity/Ronald Chee</a>&nbsp;
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<br>We are celebrating my mother's, Cora Lee Phillips, 81st birthday in Santa Fe, New Mexico.  She and I had a grand adventure here over forty years ago when we attended an "Up With People" conference.  All I remember is that it was Christmas time, there was a foot of snow on the ground, the luminaria bags lining the streets, the heatless motel room we stayed in, sleeping in the same bed with my freezing feet under her legs - and peeling what seemed like thousands of shrimp in the basement of one of the stucco churches to feed the attendees.  Santa Fe was a quaint, tiny village at the time.  So much has changed, yet so much remains the same.  She remembered the Plaza where the people from various Indian Nations lined the sidewalk, huddled with their silver, turquoise, pots and blankets.  After a delicious champagne breakfast of huevos rancheros with green chile, we explored those same sidewalks. <br>
</div><br>At first approach, the image was similar to our past experiences, of old and young people from various tribes.  However,  much of the jewelry looked as though it may have been mass-produced in a factory somewhere far off and shipped in to be sold on the street at a percentage of sales to the vendor.<br><br>Regardless, we were thrilled to meet a wonderful painter named <a href="http://www.ronaldchee.com/">Ronald Chee</a>.  His work honors his heritage and yet is original and modern.  I love his colors and approach.  I've included a link to his web-site for further exploration.</div>
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    <p class="post-info"><span data-time="2009-11-17T11:56:00-08:00" title="November 17, 2009 11:56">11/17/2009</span></p>

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  <a href="/blog/blog/3784826/the-nuts-and-bolts-of-brother-mel">The Nuts and Bolts of Brother Mel</a>&nbsp;
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</div><br><br><a href="http://3.bp.blogspot.com/_Od1Ab-3dbeM/Ssm7TIrzaYI/AAAAAAAAAE4/2dAzkCJ7jf0/s1600-h/BroMel-Big+Bowl.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img src="//3.bp.blogspot.com/_Od1Ab-3dbeM/Ssm7TIrzaYI/AAAAAAAAAE4/2dAzkCJ7jf0/s400/BroMel-Big+Bowl.jpg" class="size_orig justify_inline border_" /></a><br><br><br><br>                              <span style="font-family: Verdana,sans-serif;"> <span style='font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;'>Brother Mel</span></span><br><br><br><br><br><br><br><br><br>I was on lunch break when I took a "quick" detour into The Arts Company in downtown Nashville.  I felt nurtured as I viewed the beautiful paintings, sculptures and mixed media.   I took the elevator to the second floor and entered a room containing six "bowls" of various sizes made of welded metal items like nuts, bolts, wrenches, hammer heads, meat hooks, spoons, forks, knives and tractor chains.   I stopped in my tracks and my pulse quickened when I saw "my" Brother Mel bowl.   I had to touch it.  I had to walk around it and watch the way the eastern light spilling in bounced off it's irregular surfaces.  I visualized how it would look with a round piece of glass on top of it sitting in front of my fireplace and saffron color sofa.   Now, I'm not a girl who spends lots of money on stuff.  But I knew this piece belonged with me.   And then when I found out that the artist was a Marianist monk and that all of his portion of the sale went to supporting his community,  I was further inspired.<br><br>I have since met Brother Mel numerous times, and am as inspired by his story and his spirit as much as I am by his work.  You can see more of his work at  <a href="http://www.theartscompany.com/brothermel">www.theartscompany.com/brothermel</a><br><br>(c) copyright 2009 Pam Mark Hall<br><a name="more"></a><hr></div>
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  <a href="/blog/blog/3784827/the-hot-pink-tire">The Hot Pink Tire</a>&nbsp;
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  <div class="message"><div class="separator" style="clear:both;text-align:center;"> </div><div class="separator" style="clear:both;"><a class="no-pjax" href="http://3.bp.blogspot.com/_Od1Ab-3dbeM/SslQwbGiIvI/AAAAAAAAAEo/19vK7pEmjPY/s1600-h/pinktire1.jpg"><img src="//3.bp.blogspot.com/_Od1Ab-3dbeM/SslQwbGiIvI/AAAAAAAAAEo/19vK7pEmjPY/s400/pinktire1.jpg" class="size_orig justify_inline border_" /></a></div><div class="separator" style="clear:both;">Photo by Jerry Chamberlain</div><div class="separator" style="clear:both;text-align:left;"> </div><div class="separator" style="clear:both;text-align:left;">
<span>And then I saw it!</span> A sculpture of about 50 bikes wired together and hanging in front an aluminum garage door next to the entrance of the Arcade. "Please, oh please go over there and take a picture of those bikes!" I pressed my friend, Jerry, to follow my creative direction.  He crossed the street, stood in the bus lane, and risked life and limb to appease me by taking the shot with his cell phone.</div><div class="separator" style="clear:both;text-align:center;"> </div><div class="separator" style="clear:both;text-align:left;">His eye went straight to the hot pink tire!  Now that's an artist!</div><div class="separator" style="clear:both;text-align:left;"> </div><div class="separator" style="clear:both;text-align:center;">Copyright (c) 2009 Pam Mark Hall</div></div>
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    <p class="post-info"><span data-time="2009-10-04T19:25:00-07:00" title="October 04, 2009 19:25">10/04/2009</span></p>

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  <p class="post-info">in <a href="/latest-news/blog/blog_categories/14689">Art</a>, <a href="/latest-news/blog/blog_categories/14691">People</a>, <a href="/latest-news/blog/blog_categories/72131">CREATIVITY</a></p>
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  <a href="/blog/blog/3784828/i-ll-have-nun-of-that">I&#39;ll Have Nun of That!</a>&nbsp;
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  <div class="message">I did a triple take!  I spied a luminous vision while I waited for the light to change.  Sitting there in front of Maggie Moo's enjoying ice cream on a gorgeous fall afternoon, were four elegant, laughing nuns with their white robes and white/black lined habits flapping in a gentle breeze.  Pleasure, it was pure pleasure I tell you!  That is what I saw vaporizing from this joyous party!   They were taking pleasure in each other's company, pleasure in the glorious day, pleasure in their rich decadent ice cream cones, and pleasure in feeling the pleasure (ok I'm projecting) of their creator taking pleasure in them taking pleasure!  Kinda like that rain - ocean - evaporation - rain - ocean continuum.<br><br>It looked like pure pleasure to me, and I'll have nun of that!<br><br>Copyright (c) 2009 Pam Mark Hall</div>
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<h2 class="heading-secondary heading-blog alt-font">
  <a href="/blog/blog/3784829/an-old-woman-plays-slide-guitar-w-light-bulb">An Old Woman Plays Slide Guitar w/ Light Bulb</a>&nbsp;
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